Neo Eclectic Prisms II (June 2018)
Music for the 21st Century
Following a five year hiatus, Paul Hirschfield of PRH Productions has released his thirteenth disc in the Neo-Eclectic series, compositions that redefine our musical landscape with colors and rhythms reflecting and celebrating global diversity. It's a world trot starting with exotic rhythms in Istanbul and from there, pretty much covering the continents. There is something for everybody. Hirschfield's novel combinations and motif development offer surprise and pleasure, accessible, engaging, quite beautiful. You may want to dance; you might want to sip a cup of coffee, but you will want to keep listening. Hirschfield has grown as a composer and aranger, and while the style maintains its membershp in the "Inn House Concert Series," of which this is the latest entry, there is an attention to musical values that is more focused and brilliant. There is no lack of excitement. Hirschfield will have your pulse rising and your imagination racing. Listen to the contrast from track 10, Automnation, to track 11, Classique, to the grace of track 13, Spring..ing.
It's ll great fun and super listening. And speaking of listening, the sonics are fabulous with presence, immediacy and air, extending and improving upon the already great sonic tradition in the series. You will be coming back again and again to the disc, pure pleasure. Grab it for your aural Fantasia.
Neo Eclectic Prisms II
This album is filled iwth diverse variety bound to tickle the fancies of any listener. Every turn in the music is delightful due to the addition of interesting instruments that work to take the listener on a magical, musical adventure.
Neo Eclectic Prisms (Aug. 2013)
If your iPod could compose music, what would it sound like? Probably a lot like Prh’s “neo eclectic” music, available on his just-released Prisms CD. Prisms is the ninth in Prh’s “inn-house” series, a collection that proves digital technology can give birth to musical forms with integrity, as well as novelty.
The iPod allowed us to break up conventional CDs into an infinitely mixable series of songs. Listeners could hop from genre to genre in a flash, which turned musical tastes more eclectic. What makes Prh’s music “neo-eclectic,” is his use of compositional software to take the next step. Not only does Prh create music in styles that range from classical, to jazz, to Latin, to New Age, to Asian, and so forth, on the same CD, he also weaves hints of different musical genres into the same song.
On the new Prisms CD, for example, “World Pulse” blends a dominant Afro-Pop sound into something like American folk. My favorite track, Epidavros, mixes a stunningly powerful Greek folk music sound with a vague hint of classical harpsichord.
Prh may be the only one out there who’s figured out how to use the incredible power of the new compositional hardware and software to break through every known musical genre boundary. Yet it’s all done with heart, and discipline. Each piece has a musical center, which is then filled with change-ups and subtle teases of genre-mixing you aren’t always sure about when they first sneak in. This music can simply relax or excite, or you can also treat each piece as a fascinating puzzle by tracking the genre change-ups and musical games.
There’s something new and fun going on here, and more people are catching on all the time. Very much worth a listen.
Herewith, the Neo Eclectic musical imagery of Paul Hirschfield. Readers will find ample explanation of Neo Eclectic at prhstudios.com; my focus will be the listening experience itself, and what a treat the new album Prisms is. Hirschfield’s new disc is a beautiful and accessible musical event with all the creativity, pleasure, and musical inventiveness already well known to listeners of his music. The music is for a neo audience, listeners who want their senses touched for the length of an average commercial track, and who respond to harmonies and inventions highly evocative and melodic.
This is a compact, musical whirl of world geography that captures the sounds, sights, and images of global musical styles. From the bustling melodic opener rippling up and down the piano keyboard to the exotic colors of faraway places and homespun funk, you might just as well be on a magic carpet.
Melody and rhythm are front and center, with the Hirschfield touch of lush harmony and pleasing chord progressions. Musical tracks variously layer piano, percussion, timpani, chorus, strings and more. Already internationally familiar to a wide audience, Hirschfield also supplies something else, as he has on all of his discs: superlative, wide-ranging sonics. He is a naturally gifted engineer to his own music. The open, airy, transparent sound field gives the music all the bloom and punch it needs to create harmony- both within and with out.
Listen on wide-range loudspeakers or a pair of earbuds; each experience will be different, but equal of pleasure. Hop on the musical carpet, and let the music take you everywhere you want to go.
-Howard R. Selekman
A Breath of Asian Aire
Do you remember the early scene of Disneys Sorcerers
Apprentice, where the great wizard draws upward a swath of colors,
which converge into a dreamy technicolor butterfly? Contemporary
wizard Paul Hirschfield has conjured up the aural equivalent, being
the supreme color master of the sound byte he is, in his sixth inn-House
Concert disc: Whirld: Asia.
Composer Hirschfields striking fusion of world melody motifs
with Asian landscapes is flat out gorgeous. Each of the thirteen
pieces is a deft union of instrumental color and rhythm, suggesting
winding, long forgotten forest paths suddenly there for the contemporary
global family to explore. This is not travelogue music by any means.
As lush and accessible as the music is, it also challenges each
listener to find his place amidst the haze of modern chaos and order.
The music invites and encourages: yes, this can be done.
Hirschfield has a knack for presenting and layering instrumental
colors. No piece outstays its welcome. The element of surprise is
highly valued, no complacency or untoward repetition here. The melody,
the motifs, the characters of the music are so captivating, so unusual,
so sharply etched that hearing more becomes a necessity. The whole
journey is an exercise in opening up, but with such inviting color
and melody that the listener just becomes a happy captive, letting
go and being rewarded for doing so.
The final track (Asian Winds) is stunningly summative and life
asserting. It will leave you breathless (in the middle of the freshest
air youve ever breathed), surprised, and utterly satisfied.
The soul of a Stokowski is certainly part of Hirschfields
muse. Take this next journey, and get in touch with your pathways:
discovered and undiscovered!
- Howard R. Selekman
Rating: ***** of 5
Music for the
For sheer musical
ingenuity and inventiveness coupled with wide-range sonics, its
hard to resist the musical adventure that composer PRH [Hirschfield]
has concocted on silver disc, also available for download. With
unflagging momentum, Hirschfields internationally-styled mix
of the classic and the modern not only engages, but captivates the
listener. Its really beautiful stuff. There are whiffs of
any number of classical composers spanning the centuries, but that
doesnt matter. Theres an individual voice here manipulating
electronic and live tonalities that create surprise at every turn,
a little motion picture scoring, a little jazz and rock, a little
symphony. But what really accounts for the surprise is Hirschfields
feel for color. Each movement splashes the paints in Fantasia like
sequence, sometimes with great delicacy, at other times with imposing
seriousness. And suddenly, from nowhere, there is a chordal progression,
a motif, that goes right through the heart, a drop of the infinite
and the mysterious (try track 13). The piece can be startling, but
always agreeable and life-affirming. Plain and simple, Intertwined
is a musical treat.
be made of the sonic picture and feel of
the recording. Im not one who cares a whole lot if I can or
cannot pinpoint exactly where an instrument happens to be placed;
a general sense is enough for me. What matters to me is how tactile
the presentation of the colors and instrumentalities is. The other
value that is important for me is the air and warmth that is captured
by the engineer. I have a very hard time with dry and airless sonics.
Hirschfield is both composer and engineer here. As engineer, his
sound is lush, open, and rich with wonderful separation, and for
those who find this important, pinpoint acoustics. On this disc,
the sound itself is part of the adventure. On a wide-range, high-resolution
big system, the whole thing just opens up in Vista Vision. On my
Nano, with better than average earbuds, little of the spaciality
is lost. Though the music may communicate more intimately, there
is thankfully no loss of tingle, no loss of the composers
sensational tactile facility. In other words, rather deftly, Hirschfield
has managed to create a number of adventures here, each one a little
different, depending on the system through which one is listening.
You dont want to miss this trip.
- Howard Selekman
(Dec 3, 2007)
Rating: ***** of 5
with virtual catalysts, my favorite cut from interTwined.
Virtual catalysts exercises some sort of bizarre hold over me. I
play it repeatedly, as if I were still a teenager with a new favorite
album. This piece is something like a blend of Gershwins orchestral-jazz
Rhapsody in Blue with Lalo Schifrins theme from
Mission Impossible. The song is filled with counter-intuitive shifts
in mood and instrumentation, which nonetheless effortlessly work.
I cant get virtual catalysts out of my head. Gershwins
Rhapsody in Blue premiered at a concert entitled An Experiment
in Modern Music. Too bad experimental later came
to stand for pretentiously odd, discordant and unappealing sounds.
Every prh song, on the other hand, is an experiment in the best
sense. Prhs music is filled with unexpected shifts and blends,
yet alldesigned to fascinate and please, rather than shock or brag.
You might call it orchestral sampling. The boldest mixes
on this CD are blended with gentler tributes to several folk traditions,
like the music of Canadas Cape Breton. There are a couple
of pure percussion pieces as well, harking back to prhs early
work. Ive been listening to prh for years, and with interTwined,
hes reached a whole new level. Get it.
mosaics interweaving themes of various and often divergent genres
from classical to jazz to world [etc.] in each CD and often within
a track, yet smoothly interacting, representing a refreshing approach
- CD Baby